Our Contributors
Ajay Kumar is the author of the chapbook balancing acts (Yavanika Press, 2023). His works have appeared in The Bombay Literary Magazine, Usawa, ASAP Art, gulmohur, and The Yearbook of Indian Poetry in English, among others. He received the Srinivas Rayaprol Poetry Prize in 2024 and was twice longlisted for the Toto Funds the Arts Award. He lives in Chennai, India. His published work can be found here
Akash Bharadwaj is a researcher based in New Delhi and Patna. His work explores the histories of collecting and exhibition-making, and how these practices shape our notions of place, identity and belonging within regional, national and global contexts.
Aparna Chivukula is a writer and artist from Bangalore. She has worked as a teacher in undergraduate and high school classrooms, and as a book-maker and editor. Her writing has been published by Aeon, ArtIndia, Serendipity Arts, Shared Ecologies, Poetry at Sangam, and ASAP Art. She has received the Toto Award for poetry and a Sangam House fellowship. Most recently, she was a writer for the sixth edition of the Kochi-Muziris Biennale.
Aranya Padil is a poet, and writer-curator currently based in Delhi, a place to which he doesn't belong. His debut collection of poetry “the map is not the territory” was launched, with Copper Coin, in October 2025. He is the editor of Poetly, a newsletter that curates Indian and international poetry, along with commentaries that contextualise the works within contemporary socio-cultural discourses and artistic practice.
He is the founding editor of ArteSpace, an E-Journal of the Arts, published by Gallery Espace.
Arushi Vats is a doctoral researcher pursuing a PhD in the History of Art, at the University of Cambridge, and an Associate Lecturer at the Cambridge School of Art, Anglia Ruskin University. She is the recipient of the Momus - Eyebeam Critical Writing Fellowship 2021 and the Art Scribes Award 2021. She is the co-editor of the volume Imaginable Worlds: Art, Crisis and Global Futures published by University of Chicago Press (2023), and has published extensively in exhibition catalogues, art publications, and literary journals.
Dr. Avani Tandon Vieira is a writer, researcher, and curator. Her practice is concerned with the intersection of artistic production and spatial politics, addressed through an attention to cultures of self organising. She holds a PhD in Criticism and Culture from the University of Cambridge and a master’s in World Literatures from the University of Oxford.
Carol Blaizy D’Souza is a poet, translator and scholar from Bangalore. She has taught in undergraduate and postgraduate classrooms. A collation of her work can be found at linktr.ee/cblaizd.
Dev Nath Pathak teaches Sociology at South Asian University and is a founding faculty member of the university’s Department of Sociology. His current research interests include popular culture (music, cinema and performance) and South Asian studies. He is Reviews Editor of Society and Culture in South Asia (the journal of Department of Sociology, South Asian University, co-published with SAGE India). Some of his recent publications include Living & Dying: Meanings in Maithili Folklore (2018), Another South Asia! (2018), Culture and Politics in South Asia: Performative Communication (co-edited, 2017) and Sociology and Social Anthropology in South Asia: Histories and Practices (co-edited, 2018)
Georgina Maddox is a Delhi-based critic-curator, writer, and visual artist, who has been writing for more than two decades in the Indian Art Landscape. Beyond her work in the art world, she enjoys creative writing, painting, and playing the guitar. She is also an active advocate for queer rights, women’s rights, and minority groups.
Greeshma Gayathri is a poet from Coimbatore. The music and beauty of the world is what she lives for. Her work has appeared in The Bombay Literary Magazine, The Winged Moon, Cottonmouth and elsewhere.
Handloom Futures is a research collective that engages with matters of craft and artisanal knowledge practices. The collective consists of researchers from various backgrounds who bring their diverse expertise to advance a nuanced understanding of the historical and contemporary relations between society and technology.
Imran Ali Khan is a writer who doesn’t write enough, a gardener who doesn’t garden enough. He spends his time walking and dreaming. He lives in Goa.
Joshua Muyiwa is Bengaluru-based poet and writer. He’s written on contemporary dance and arts for national and international publications. His book of poems, You’ve Come to the Right Place, is forthcoming with Thayil Editions, HarperCollins.
Kamayani Sharma is a writer, researcher, and podcaster with a focus on visual art, culture, and media. She produces Sharjah Art Foundation’s audio programme and is the creator and host of Artalaap, South Asia’s first independent visual culture podcast. Her critical and creative writing appears in publications worldwide and has been recognised by national and international awards.
Kunjana Parashar is a poet, an editor, and a poetry consultant from Mumbai. Her debut poetry book They Gather Around Me, the Animals, selected by Diane Seuss, won the 2024 Barbara Stevens Poetry Book Award. She is the recipient of the Toto Funds the Arts Award and the Deepankar Khiwani Memorial Prize. Her poems have appeared or are forthcoming in Poetry Northwest, Sixth Finch, The Adroit Journal, and elsewhere. She is the Managing Editor (Poetry) at The Bombay Literary Magazine and one of the co-founders of The Osmosis Poetry Prize. You can find out more here.
Lina Vincent is an independent art historian and curator with two decades experience in arts management. Through her consultancy LVAC, she focuses on research and programming in the areas of arts education, printmaking history and practice, the documentation of living traditions, and environmental consciousness in the arts.
Mansi Jain is a visual artist, writer and researcher based in New Delhi and Jaipur. She is currently pursuing a PhD in the Department of Media, Art & Design interdisciplinary program with Sociology at South Asian University, New Delhi. Her work focuses on Indian art history, visual culture and contemporary artistic practices, with particular interest in Rajasthani painting traditions. She writes on art, aesthetics and the intersections of lived experience and artistic practice.
Nachiket Joshi is a literary scholar, translator, and educator based in Mumbai, India. He conducted his doctoral research on questions of gender, violence, and embodiment in contemporary Indian poetry at INALCO, Paris. His research covers poetry and literary fiction written in English, Marathi, and Hindi. He also translates poetry, fiction, and works of literary criticism from Marathi, Hindi, and French into English. Apart from his scholarly output, he regularly contributes essays and book reviews to national and international publications aimed at a more general audience. He currently teaches courses on literary theory, cultural studies, and world cinema at NMIMS, Mumbai.
Nainvi Vora is an art historian and curator specialising in South Asian modern and contemporary art with a focus on feminist historiography, transnational modernisms, and alternative archival frameworks. She was formerly Associate Curator at the Kiran Nadar Museum of Art and holds postgraduate degrees in the History of Art and Architecture from Brown University and the University of Illinois at Chicago. She was the Curatorial Resident at the Delfina Foundation (2025), where she developed research and curatorial frameworks around transnational sculptural practice and archives of modernist sculptor Pilloo Pochkhanawala. Her recent curatorial projects include Digitizing the Miniature: Mahnoor Hussain and the Spirit of Feminism (2024) at the Watson Institute for International and Public Affairs, Brown University.
- 1
- 2
Featured Art
First Edition
“My Mother’s Closet”, Nandini Bagla Chirimar, 2024. 27.5 x 46”. Pencil on Kozo Shi paper.
“Mapping the Dislocations”, Zarina Hashmi, 2001, 20 x 42.5”. Woodcut printed in black, and mounted on Rives BFK White Paper.
- “Anthology”, Nandini Bagla Chirimar, 2024, 14×14” Pencil, stone pigments, watercolor and 23K gold on Kaji Natural paper, mounted on Rives BFK White Paper.
Second Edition
Detail of Dialogue VIII Anupam Sud, (1992), Etching on zinc plate, 49.5 x 97 cm. Reproduced from The Self and the World Catalogue, Published by Gallery Espace.
Detail of On Moonless Nights, Chitra Ganesh, Kochi-Muziris Biennale, 2018.
Image courtesy Chitra Ganesh, and Gallery Espace.
Editorial & Creatives
Aranya Padīl | Founding Editor
Amjad Majid | Web Development
Vikas Thakur | UI & Design