Born in Kolkata, Sonia Mehra Chawla has an interdisciplinary practice as an artist, photographer and researcher, exploring notions of nature, ecology, sustainability and conservation through a multispecies lens.
Chawla, who has a BFA (2001) and MFA (2004) from College of Art, New Delhi, has participated in curated projects at eminent International Museums and Institutions across India and Europe, among them ZKM | Museum & Center for Art and Media Karlsruhe (Germany); Chhatrapati Shivaji Maharaj Vastu Sangrahalaya (Mumbai); Radialsystem (Berlin), Institut für Auslandsbeziehungen, ifa Galerie (Stuttgart), Essl Museum of Contemporary Art (Austria), Tate Modern (London), Yinchuan Biennale 2016 (Yinchuan Museum of Contemporary Art, China), Today Art Museum (Beijing), Goethe-Institut, Max Mueller Bhavan (Mumbai, Colombo, Pune and Delhi), Akademie Schloss Solitude (Stuttgart), Albertina Modern Museum, Künstlerhaus (Vienna), National Institute of Design (Ahmedabad), British Council (New Delhi), Indian Museum (Kolkata), Edinburgh Printmakers (Scotland), Khoj International Artists’ Association (New Delhi), Summerhall Galleries (Edinburgh) and Beck & Eggeling International Fine Art (Dusseldorf and Vienna).

Some of her recent one-person exhibitions include Evolutionary Potential (2022) at the Akademie Schloss Solitude, Stuttgart in collaboration with the Botanic Garden and Botanical Museum Berlin; The Rooted Sea (2022) at the Summerhall Galleries in collaboration with Edinburgh Science Festival 2022; Entanglements of Time & Tide (2021) at Castle Mills, Edinburgh Printmakers in partnership with Marine Scotland, Creative Scotland, ASCUS Art & Science and Edinburgh Art Festival.
Sonia Mehra Chawla lives in New Delhi and works between India, Germany and the UK.

RASHMIMALA (b. 1975) is a Vadodara-based artist whose practice draws inspiration from, and interrogates, colonial botanical illustration, a genre that went hand-in-hand with the European imperialists’ fascination with the exotic. Rashmimala’s paintings focus, instead, on the commonplace – the humble and hardy wildflowers and weeds which grow unnoticed in our backyards, on dusty road-sides or burst out of crevices in the walls. These plants of the Ruderal species, which grow on waste ground or land despoiled by natural disasters or human activity, symbolize nature’s resilience and its ability to heal itself. Also, unlike the historical genre, Rashmimala’s plant paintings are neither representative nor idealized – she paints leaves discolored by age, with moth-eaten edges and marked by disease, with as much attention to visual detail and beauty as the 18th and 19th century artists did to scientific accuracy. Rashmimala’s paintings are overlaid with elements of text from archival documents – the Latin names of the plants appear alongside their English or vernacular moniker, for instance – which serve as citations to the tangle of historical ideas that have shaped the contemporary study of and attitudes to plants, and determined their economic and aesthetic value. Rashmimala geo-tags her plant portraits, locating them in a particular place and time, and a specific social, cultural, ecological and economic context.

Rashmimala obtained her Bachelor’s and Master’s Degree in Painting in 1998 and 2000 and later completed her Master’s in Art Criticism in 2002. Both from M. S. University of Baroda. Her solo exhibitions, off the ground, at The Guild Art Gallery Alibaug in 2022, Where Should The Plants Sleep After the Last Breath of Air? An online solo project hosted by The Guild Art Gallery Mumbai in 2021 and transplant at Nazar Art Gallery, Vadodara in 2018 focused on representing minor local plants along the genre of botanical illustrations, natural history documentations and historical anecdotes. Some of Rashmimala’s recent participations include Past-Present-Continuous, 25 Years of Guild, Bikaner House, New Delhi (2022), India Art Fair (2022), Abu Dhabi Art (2021), Voices from the Courtyard, Baroda, for Womanifesto 2020, at Trans-Southeast Asia Triennial (2020) (organized by Art Museum of Guangzhou, Research Center for New Art Museum Studies and Guangzhou Academy of Fine Arts), Notes, Documents & Processes, an online exhibition at Hyderabad Literary Festival (2021), and Mindful Circulations, curated by Kerstin Winking, Bhau Daji Lad Museum, Mumbai (2019).

Rashmimala has participated in several camps and also regularly conducts workshops, the latest being a Cyanotype Workshop for the Artist’s Collective Remembering Nasreen in Baroda, (2022). Besides her art practice, Rashmimala has worked on extensive archiving projects of artists such as Jyoti Bhatt and Nilima Sheikh.

She lives and works in Vadodara.