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How international IS INDIAN ART
Indin gallerieshave begun making forays into the global Scene, but more needs to be done
I had the great fortune of attendingoneofthemostimportant international an fairs in the world called the 'Basel An Fair' in June this year. It's ahnost impossible to describe the atmosphere of such a large show. Even before I landed in Switzerland, I felt the excitement and the buzz because many of my fellow air passengers were also attending.
I can tell you thatI was overwhelmed and somewhat bewildered when I entered the fair. There were galleries from all over the world partidpating 'and you could see a range of artists from the most junior all the way up to Picasso. Every imaginable medium was exhibited: pedormingans, paintings, sculptures, drawings, and video an.
It was refreshing to see the large number of drawings and srulptures that were exhibited, showing a re-emergence of these media. Andall of it under oae roof. with buyers and dealers milling about all busy making investments.
A laIge Indian art fraternity of gallerisls, dealexs and major collectors was in attendance. Nature Mone Gallery was participating in the show for the first time. Works by Justin PoDanary and Subodh Gupta, were creatinga lot of interest in fndian art.
Subodh Gupta was also represented by his Swiss gallery. It was hearteDing to know that the project commissioned by the Swiss gallery was sold for 800,000 euros to a German collector.
Since then. the question has arisen - how international is Indian art? How do we reach this level? With all the talk of globalisation and of India emerging as an economic power, how can we make our an international? Indian galleries have begun making forays into the international scene, but more needs to be done. To begin with, we should have a more organised exchange of major artists with the major museums in the West.
This will require corporate patronage because of the huge sums of money involved in establishing such programmes.
Along with taking our an to the world at large, we need to showcase more and morc foreign artists in India.
In China. for example, the major galleries are showing Chinese an as well as an from all countries, and collectors havestaIted collecting international art.
Here, in India, collectors arc only looking at Inman an. This is natural and the trend will change once people are aware of the value of We stem an. All the more reason todedare that an art fair is the call of the day!
(The author owns GalleryEspace in New Delhi)
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