Art is inherent to the Indian psyche. From pre-historic to classical and now modern, it presents itself in many diverse avatars and springs from a variety of inspirations. Contemporary art is currently organized and promoted by defined institutions, amongst the most distinct of which is Gallery Espace, set up in 1989 by Mrs. Renu Modi. M.F.Husain stimulated its establishment, inspiring the suggestion of a gallery that would focus on Indian artistic form and aesthetics. The Gallery Logo was designed by Husain himself and continues to lend an effective identity. The motivation provided by the great artist is further reflected in the design of Mrs. Modi’s residence that stands as a treasured sculptural installation, besides him also launching the Gallery space with an autobiographical show.

From its early inception when the circulation of art was limited to informal efforts, Espace has grown into a commanding three-storey space conducting the business of art as a structured scheme. The Gallery has continuously endeavored to nurture art in all its forms and mediums ensuring and sustaining the richness of Indian art. Sculpture, photography and installation art are constantly promoted with the specific intention of bringing them at par with other forms of fine art. Talents from the worlds of journalism and culture have also been provided a much-needed platform.

Espace is further recognized for its undeterred passion and balance between true art and commerce. Gallery owner, Renu Modi believes that while auction houses concentrate essentially on sales and purchases, it is the Galleries that take on the challenging task of nurturing and promoting art, the institutions that take risks and develop talent.

Commissioning works of art that would eventually develop into series and collections of specific thematic inclinations was a concept pioneered by Espace. The Gallery also evolved the novel scheme of bringing the best of Indian modern art to discerning audiences around the world, thereby initiating the trend of globalizing art. Its first venture at an international exhibition was as early as 1992. In the coming years, it intends to expend greater efforts to reach out to wider audiences and assert a place for Indian art at International forums.